ABCD 450 CD Duke Ellington: Sacred Concert

Anu Komsi, sopraano; Marzi Nyman, urut

Duration: 41:55

17,90 

SKU: ABCD 450 Categories: , , , , , ,

Description

Duke Ellington wrote Sacred Concert in the mid-1960’s and performed the work with his orches- tra and various soloists between 1966 and 1974 at churches around the USA and Europe. Ellington never wrote a score of Sacred Concerts, and it wasn’t until 1993 when John Høybye and Peder Pedersen produced a score mostly meant for choirs, but including the full vocal lines and harmonies. Ellington’s own perfor- mances were all different. The amount and order of the movements and everything about interpretation was agreed just before the start of each show, and the musicians and soloists improvised in true jazz style. The movements of Sacred Concert are reflections and allusions of traditional gospel songs and the historic roots of soul music in America, and the songs sung by black slaves in the hellish working conditions of the cotton fields. The threads of freedom, brotherhood, God’s mercy and praise run through each lyric. The album was recorded at the Kokkola Church in 2017, one long take at a time, making the im- provisa ecorded post-production in a studio by Anu and Marzi.

Tracks:

  • Ellington, Duke (1899-1974)

Sacred Cocert
1Praise God4:50FIABAnull
2Heaven6:11FIABAnull
3Fereedom1:56FIABAnull
4The Majesty of God4:11FIABAnull
5Freedom is a word2:35FIABAnull
6David Danced2:35FIABAnull
7Almighty God3:57FIABAnull
8Freedom is Sweet1:5FIABAnull
9Freedom spoken in different languages0:43FIABAnull
10Praise God and Dance- Finale11:50FIABAnull

Reviews

Komsi & Nyman: Duke Ellington – Sacred Concert (Alba).

Duke Ellington sävelsi vuosina 1965–1973 kolmiosaisen Sacred Concert  -kokonaisuuden, johon tarttuivat tällä kertaa sopraanolaulaja Anu Komsi ja urkujen äärelle istahtanut Marzi Nyman.
Elokuussa 2017 Kokkolan kirkossa taltioitu tulkinta tihkuu antaumuksellista heittäytymistä. Komsin elastiset lauluosuudet sekä Nymanin aistikas sormikarkelointi saattavat sävelet kliimaksiin – etenkin urkujen matalat äänet toistuvat vaikuttavina. ★★★★

Juha Seitz, Ilkka-Pohjalainen, 13.7.2020